stand up is a stormin track featuring an emotional vocal performance by brent st. clair over a deeply pounding groove that is enriched with a funked-up, bubblin bassline and harmonic keys, featuring cleverly inserted breaks and build-ups. central avenue s reworking turns the track into a funk drenched feel-good thumper with catchy keys that together with the vocals create an uplifting feeling. dario dattis comes up with an uplifting dub full of funky flavors guaranteed to rock any dancefloor

>sos< combines the classic stonebridge club sound with some new, fresh elements that all together thrown into the melting pot lead to serious mass hysteria on the dancefloors. vocalist erire, who has been alongside the swedish house don for many years provides a classy female vocal that stays in the clubbers mind and keeps flowing perfectly with a huge bassline and some genuine synth riff. on the flip ortega & gold deliver a mix that at first listen might sound a little too heavy but try this in the club and youll see what happens! additional mixes still to come from wawa, chris kaeser, playmaker and man of the moment mischa daniels will add their magic to and already outstanding record in its original versions. sos-stonebridge is back with a blast

big with todd terje, munk, danny wang , after his releases on players paradise and dirt crew, the young italian dj marcello giordani shares with us his love for the boogie/funk/italo disco once again! two tracks on this >cosmic communications< e.p.: >bronx dogs< is an 83s flavoured house/boogie track with a moog bassline and fm synth sounds in a metro area mood. >alice< is a deep italo track with an intense arpeggio and live drums, inspired by the cosmic sound of the early 80s - the real underground movement at that time in italy. a timeless piece of cosmic sound!

nice price deal !!! beat warriors and party-starters par excellence, andry nalin (bush ii bush) , returns from the front line together with saschco, who did his debut single >feel/serenity< on electribe records a few months before. the red mix delivers a full electronic bassline monster, containing a hughe breakdown followed by a all hands up peak. classic stabs, rollin effects, a synthesized vox, pumping beats and a electro bassline, adding a special flavour to a rockin groove. the white mix delivers a deeper version with warm pads and turns into the early morning territory.

switzerlands andrea festa with this huge club bomb a highly infectious vocal loop backed with a funky techhouse bassline on the flip you ll find a minimal tech mix by dj dune and an electro flavoured broken beat version by tomahawk

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

big with magda, ricardo villalobos, vera, luciano, dorian paic !! kreiskollaps is the track which starts the new oslo label,having proofed its ability to rock dancefloors nationwide. christian burkhardt presents a slice of contemporary minimalism, adding lush atmorspheres and rounding it up with a deep pumping bassline. think thats enough? wait till you here federico molinaris remix, hes already showcased his remixing skills on raummusik and 8bit and takes the whole thing to another level. its more on the housy and hypnotic tip but still maintains the whole context of the track and is sure as hell going to move your butt. also dressless by christian burkhardt is more of a housy affair, groovy as hell complementing perfectly the ep

you may know alberto lodde alias dusty kid from his productions under the name duoteque. with five e.p.s under the boxer imprint alberto and his partner andrea ferlin have caused a massive stir in techno land and the latest edition of their hit record <amarcord< has been successfully remixed by nobody else than >my my<. however now it is time for alberto to walk solo paths and after an impressing release on kling klong he does his debut on systematic. >tsunamy< has to be handled with care as this can damage any dancefloor in the world as it is explosive sawtooth bassline peak time action at its best (sorry, cant write anything else). >milk< is the opposite to the flip side, a very sensitive and atmospheric groover in the tradition of border community

bad mofo is a powerfull houser with catchy, crowd working, stab sounds in the build up. during the track a huge bassline that causes the dancefloor damage! caprice is filled up with percussive effects. the combination of the chords and crispy beats makes this track a huge club anthem! with massive support by sander kleinenberg, ali dubfire (deep dish) and max graham this release is one you cant miss

recognise is a ruthless peaktime roller, wrapped up in a jackin house vibe and armed with a bassline that just wont let you stand still for a second. baobinga & i.d.s latest production has already been shaking the floor during their monthly residency at fuse, manchester with early support also coming from the likes of krafty kuts, skool of thought & 30hz. vandal is arguably the production worlds finest exponent of electro tinged breakbeat, producing hits like mad as hell on meat katies lot49 imprint which received 25 plays on bbc radio 1 or delivering the goods which went on to become one of plastic rayguns most successful releases. since his first release he has built up a reputation for constantly pushing the breaks sound, his remix of recognise provides a text book example, delivering a throbbing breakbeat madness that already has the backing of hyper

this release is a mixture between minimal techno and sweet trancy melodies in the typical david keno style. the stupid, dirty mr. oizo bassline and some kind of rave atmosphere make this track very special and unique. less is not always more. it is time for melodies again... krikor (crack&speed, karat, ark rec) turned the track into a slow and dirty acid groovemonster in his own typical sound.

very very big house tune! best jee ever! using the famous >is it just fantasy< word from >bohemian rhapsody<. divine magic!! supported by: nick warren, oliver moldan, eric entrena, andy moor, tom novy: >this track could be one of the big ones in 007! great work, slammin bassline!!!< john acquaviva, dj chus, dj mason, ..

with >slow potion<, asli takes the cold barren landscape of iceland, marries it with the deep soul of new york (think ibadan or objektivity) and then throws in a hint of banging german minimalism (think kompakt vs mobilee). and what comes out is truly a dancefloor masterpiece - beautiful and at the same time a full ‘hands in the air peaktime banger. classical strings joined by electronic beats and a throbbing bassline. on the flip side with >east city life<, he takes it even deeper. minimal yet groovy, asli builds us a perfect track for the late night

a deep vocal house cut from new label sugardub, with a balearic beach vibe, smooth progressive bassline and a jazz feel. debuted at wmc and is a perfect summer record, an essential cut for your soulful open sky late night set. incls 2 dub mixes as well

cnm with this huge bassline edit for this often sampled classic track

bumping und pumping percussion driven house track with this huge bassline and cool aradic sounding samples in its breakdowns not to be missed

master kev david vibes tobon team up with john crockett for this huge electro flavoured house funker with its huge synth riffs, layers of strings an eleastic bassline and this steamed organ solo by mr crockett this gem is produced by tony humphries

new label serious assault brings you hot remixes of two superb vocalists. both reworked by a famous swedish producer who wishes to remain anonymous. the classic masters at work track work featuring the vocals of wumni gets the bugz style broken beat roller treatment. on side b india irie gets the urban house rework smooth and heavy bassline and new jersey style drums. music for dancefloors..

after a simply sublime 3 years with the success of his labels pryda, pryda friends and mouseville and the phenomenal recent success of prydz vs floyd - proper education which was a smash hit worldwide, eric prydz firmly establishes his position as the market leader with this new double a side release on pryda. eric has been busy in the studio recently making a wealth of exciting new material. as with all the pryda releases there is a firm emphasis on making devastating dancefloor tracks with key hooklines and melodies. the a side rymd has been the biggest track in recent eric prydz, john digweed and nic fanciulli sets for some time now starting with its cool drum intro and building effortlessly with cool synths, clever edits and crashes until the intense siren twists up in the break and hits back hard and simply blows the dancefloor to pieces! on the flip side armed is a more laidback classy affair that jon digweed has been opening all of his recent dj sets with. it starts with a nice swirling intro and then the filtered drums and chords arrive and it drops into a fat bassline driven groove. the strings later on add a sublime atmospheric to this already crisp track. this is yet another perfectly balanced release from without a doubt the most consistent dance producer around right now. expect universal dj support! a must purchase

killer release !!! minz is simply introducing himself by a few words… influenced by techno, house, acid & dub, minz creates deep electronic dance music with attention to detail. on the a-side, minz gifted us with the unbelievable chinese drip. a pure mix of modern minimal music and the too long left asleep « deep » side of things. this track is indeed a delightful journey trough the minz world. groovy, sexy, deep and incredibly dance appealing. oceanic oscillations starting from below the sea level and reaching the sky to dive again! clap your hands, shake your booty ! get the crowd on their knees with the tool of 2007 ! the b-side host an even deeper cut, >we are the new me< sports a basic channel inspired groovy beat, sparkling spacey sound designs and that ultra deep bassline that just get you on the floor. minz is clever enough not to follow its predecessors and develop again a very personal groovy and delightful track. finally, >none.of the mill< is a wonderful piece of the minz ambient world enlightening us with a different point of view, a different perspectiv..

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

the light has finally shone on this spoken word treat after laying in the vaults at defected for nearly 3 years.based on an mjb single this heavyweight club track is a major refreshment from the overblown bellowing preacher tracks that are no longer hitting the mark. its all about free range recordings boss jimpster though as he rolls out a remix of stunning proportions, the production that surrounds the sublime voice is instant, epic in fact without clouding the track with too much studio trickery. a driving analogue bassline and pulsing chords all ensure main room devastation is simply inevitable

in the last year freestyle man aka sasse has been busy remixing, producing (under his numerous aliases) and running moodmusic among other things. so its with some surprise and happiness we present a new freestyle man release on sunday music. the a-side >this side< chugs along with a monster deep bassline, quirky keys and some low key effects, keeping the tension on hi-alert on this 10 minute journey of afro-funk. the b-side >vortex< builds up with effected percussion and live bass, its growing with neat synth stabs and atmospheric strings til the break drops and lifts the track to another dimension.

nice price deal !!! excellent drum n bass anthem with a bassline to die for and this sweet female vocals includes a great percussion driven remix by bushwacka a must have

we ve come to expect the unexpected from the label called nu faze records and this e.p. promises to keep the tradition of good house music intact, with the 6th installment of the late night house sessions series called the tech files produced by dj romain. the 1st track is called pumpin the phunk a deep and dark track with a serious bassline and deep tech stabs in the vibe of plastic dreams, with a a deep voiceover telling you always pumpin the phunk 24 7. 2nd track is called red hot a funky pumpy houser with nice rhodes chords, tech stabs and bassline played by brooklyns mike gudal. the 3rd piece is called ro tech a very minimal sounding tech track with a deep bassline and swirly sounds in & out giving the track a deep earthreal sound, perfect for the early morning heads.

the loop is a funky chunky breaks affair using an oldschool vocal loop to top off flip over for break the world out with its tasty bassline and smooth synth lines not to be missed

>half moon tiger< ist minimal, tief und sexy mit kickender bassline. >saw & backings< ist einfach spass. retro rave mit ungesunder lebenseinstellung. >pion< bewegt sich zwischen afro rave und cosmic disco. jetzt wisst ihr bescheid

here comes the next biggie: shake it is the result of a cooperation between kid massive who already worked for labels like slip n slide, gossip, realbasic, stoney boy & rootz) and beatchuggers (toolroom, slip n slide, silocasa). on the a-side, theres a remix by labelchief raul rincon, who adds some banging latin beats and a saxophone to deliver again a remix as funky as hell! on the flip side, you will find the original mix with a more electronic bassline and a mix by bryan dalton (toolroom, fame, work) who works closer to the original adding some nice warm synth sounds. your crowd will shake it!!!

the frankfurt based 4/4 electro label nordwest goes into the next round. labelboss and music biz expert olaf pozsgay, known from releasing on labels like systematic or raum…musik delivers two outstanding tracks for true arpeggio peaktime pleasure. the a side push contains body-jacking drums and a true arp-bassline monster, that modulates thru the keen arrangement – big breakdown included. the 2007 house version of sweetlights Überhit >abusator<! the flipside horses dont cry starts in a classy chi-town flavour with smooth chords and a funky bassline and then moves into a dope arpeggio that moves up and down and back and forth

i want it is a funked up electro flavoured progger with this very catchy vocodered vocal hook flip over for elektric corp with its atmospheric synth riff backed with a massive electro bassline

without a doubt, mechanical is one of ambs funkiest works to date. with its deep acid bassline and its catchy guitar riffs, mechanical typifies the money shot sound. add some of ambs signature mind blowing edits and complex structure, you have one hell of a tune on your hands. groove diggerz take the track in a slightly different direction going for more of an epic electro/tech breaks tune. as is to be expected from one of the hardest working duos in breakbeat, the tune rocks.

the lead track stunning in its original form is based upon a brooding bassline which underpins a beautiful melancholic string melody that has been utilized to full effect by man of the moment tobias luetzenkirchen who delivers a more techno influenced remix. whilst debbie does dishes hits a more hypnotic note, olivers production partner harada delivers his own squelchy interpretation taking it in a stripped sometimes you have to lose yourself to find yourself way.deep dark drug music from the house of therapy

nice price deal !!! using an i feel love/moroder styled bassline and a strong female vocal remixes come from brown sugar and eddie amador

airbag is a new project that begins on irresistible by means of >outstanding< track. the track is incredibly powerful, electro house combined with progressive house, the energy that the bassline transmits makes everything stagger to its groove rhythm, turning it into an authentic main room record. incl taito tikaro (juicy music) remix

nice price deal !!! passions was formed in the summer of 2006 by ben deitz, after attending a rave in berlin. passions reside in brooklyn, ny, ny. passions has between 2 and 5 members at any given time. while ben deitz is the only band member who will reveal his name and face, each member of passions brings a unique history to the band. from deitzs being mentored by a former member of snap in high school, to other band mate s experiences in the the early 80s la punk scene and practicing chaos magick. all of passions, however, share a love of dance music, from 90s hardcore, to electro-house, to grime and anything in between emergency is a punk electro stormer climbing to the max thanks to a huge funky bassline and addictive vocals sung by star eyes. the reach-for-the-sky construction leaves you no chances. melodic as hell, it will no doubt catch all the ears. passions is what happens when you stop controlling yourself. passions will not protect you from what you want. if you wake up everyday and listen to this song, you will become a millionaire. we guarantee it

d1 recordings mark their 35th release with eamonn doyle s >red shift< ep. following on from his recent >ghost of the machine< release on sweden s hertz recordings, here he lays down two more slices of extremely deep bass driven techno aimed at the more discerning dance-floor. the 12-minute title track >red shift< is built around a deep rolling sub bassline with layered orchestral strings used subtly throughout. the flip sides >winter sun< arrives with more shimmering strings, this time underpinned with a crisp 909 backbone and lifted with some rich and soulful lead string lines. this release is part of the d1 limited editions series. vinyl runs are strictly limited to 300 copies, after which the ep will only be available digitally. the red shift ep has already caught the ear of many of the world s leading producers with dj support coming from detroit legends dj bone, claude young, octave one and also mark broom, laurent garnier, rennie foster and kan shinomura

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

jörg henze has been delivering the goods on his h imprint for some time. as usual there are 2 quality bangers on show here with the a side being a warm analogue bassline driven groove wit ha seriously energetic drum groove and cool stabs. on the flip side there is another fine piece of work with its speedy j influenced sound with warped metallic siren sounds and pounding drum groove

incl kollektiv turmstrasse remix !! this brilliant new 2 tracker from david keno and francesco passantino is another super cool 2 tracker from this great label that is growing in popularity day by day. the a side is a super deep fat as you like smooth groove with deep chords and swirling rhythms. the flip side is a perfect contrast now with its fat analogue bassline driven groove

after freak out here comes the next big tune by supadelics. take a look inside is a great electro-house track with male vocals, an electronic but funky bassline and some nice strings and synthie chords. on the flip there is a fantastic dub by myles dyson, who had several successful releases on his own label plasmapool or karatemusik. his interpretation adds a new bassline and some special effects on the chords and vocals making this the perfect choice for the peak-time. the package is completed with a original dub mix for all who are not into vocals

>miscalate< starts off as a smooth, deep house record but quickly chooses a darker path and a big rumbling bassline takes over with sharp electronics following closely behind. as with all the production work of audiofly and paul harris, its the interesting structure and musical side of the track that really makes it stands out. partial arts, a new project from ewan pearson and al usher, take control and not just remix but remake the track! theyve delivered something rather special. a very unique, different and exciting production that will surely be turning heads and pricking the ears of many

excellent house funker with a massive bassline, great horns, xylophone, and some cool sax parts feat manuela on vocals on the flip you will find a percussion driven club mix a must have

hoxton whores go miami with this massive 3 tracker feat dna and the whores themselves the great you re in my hut now uses the bassline of mr fingers can u feel it and the vocals of jungle brothers i ll house you not to be missed

german-techno dream team oliver koletzki and florian meindl with a new ep on their collective label flash recordings. >kolibri< is a deeply grooving piece of dreamy minimal electro with melodic and mesmerizing stabs and many trippy effects. on the b-side the humorous title >grandmothers flash< is sure to set the dance floor on fire with its fidgety loop, a typically raving synthie and a murderously deep sub bass. koletzki and meindl stay amused and allow themselves a joke towards the end of the track referencing the 2005 hit mückenschwarm. also on the flip, florian meindl’s >paris< has a thriving organic bassline, some great arpeggios, freaked out melodies and a very strong loop with many hi-hats. supported by chloe, karotte and oxia

organic dj/producer of tet kale orchestra and former member of wave musics abstract truth, jephte guillaume brings forth a lovely sexy mid tempo tune graced by the delicate vocals of japanese songstress ak. already being championed by louie vega, danny krivit, and joe claussell, this elegant production has all the makings of soulful dance future classic. be sure not to sleep on the dub either, as its rhythmic roll & smooth bassline will caress the ears of any listener and bring a joyful flow to the dancefloor

a huge electro house smasher. with pumping beats, a kickin bassline, nice synthie sounds and some spoken vocals

detroit s new >soundshift< imprint makes a stunning debut with this intoxicating two-tracker. opening up is the soultek remix of billy dalessandro s smashing >don t sleep< release (which was found in the many sets of dan bell, ame, annie mac & pete tong last month) this mix is nothing short of brilliant and will certainly capture the hearts and sets of all those mathew jonson or loco dice fans out there. it has a subtlety that really creeps up on you and before you know it you re tapping your feet and zoning out listening to the intricacies of the music. truly minimal, there are loads of space within the track which is somewhat similar to the original but still a world apart, particularly in the fantastically eerie synth programming. in the forefront of the song is the shimmering and haunting vocal loop, >don t sleep< which has an almost hypnotic effect. (think richie hawtin in closer) the melody of the title is a delicate affair which sips cocktails in the company of some nicely chosen whirring and echoing noises. the build is effected so subtly it verges on melancholy but halfway through a rumbling bassline, appregiated melody and backbeat hi-hat pattern announce a funkier escalation!!